Mac Miller: “Swimming” (Review)

Only 26 years old, it’s already felt like Mac Miller has been around for two lifetimes. On Swimming, you can tell he feels the same way. Where he was once a giddy faux- prodigy who made college frat-boys jizz in their pants, these days he sounds like a burnt-out child actor – think Robert Pattinson after his eighth Twilight film. Swimming sounds like his attempt to admit that it’s OK that he’s not OK. To anyone who’s ever felt like they don’t have a grip on life, they’ll be able to relate. In these moments, he creates an album that’s weirdly poignant and oddly beautiful.

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G Herbo/Southside: “Swervo” (Review)

— 03 Aug 2018 —

Written by Cyrus Bennett

G Herbo (once Lil Herb) has become something of a Chicago rap stalwart in recent years. He burst onto the scene in 2014 with the cold, assaulting mixtape Welcome To Fazoland. That tape introduced a rough-nosed, frosty rapper with an understated storytelling ability. Little has changed in the years since. Swervo, his latest joint-effort with 808 Mafia producer Southside, draws upon that same unrelenting energy and talent. It’s a satisfying if unambitious affair, and it might leave you wondering whether Herb could do with a bit more creative focus.

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Channel Tres: “EP” (Review)

— 01 Aug 2018 —

Written by Charlie Harver

Every now and then, a new artist emerges from seemingly nowhere, feeling completely disconnected from everything else hovering around the current sonic landscape. So goes Channel Tres, former songwriter for the likes of Duckworth and Kehlani. The difference here is rarely has an artist arrived so fully-formed. After his cult-hit ‘Controller’, Tres drops his self-produced EP. It’s glorious summertime driving music, but it also announces an artist with an uncommonly magnetic confidence. You’ve only just discovered him, but he knows he’s been good for a while.

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Denzel Curry: “TA13OO” (Review)

Denzel Curry has been on the verge of stardom for a while now. He first came into the rap consciousness with Nostalgic 64 in 2013; a raw, out-of-nowhere debut that signalled a white-knuckled rapper who actually had a bit to say. His next work, Imperial, condensed that talent into a range of brilliant thumping bangers. But it’s very clear that TA13OO is meant to be his moment. It shows the progression of a truly great artist – one who keeps constantly proving he’s infinitely better than the Soundcloud rappers he’s often bunched up with. With this record, he’s crafted one of the best rap albums of 2018.

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The Internet: “Hive Mind” (Review)

After their surprising 2015 breakthrough album Ego Death, The Internet are suddenly the darlings of the indie music world. Their lead singer, Sydney “Syd” Bennett, has become a genuine star. Their bass player is about to follow suit. The follow-up in the wake of this success is Hive Mind, an album that tries to capture that same creamy fusion of jazz, hip-hop and R&B from their breakthrough. The result shows a band perfecting its craft while offering some true daringly artistic promise. It will make you want them to unshackle the chains on their next one.

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Drake: “Scorpion” (Review)

Eight years ago, a Jewish-Canadian former child-star released Thank Me Later; a polished, glittering debut rap album with enviable production credits and features from the likes of Kanye West, Lil Wayne and Jay-Z. The album dominated the annual charts and announced the arrival of rap’s newest star – an 808s and Heartbreaks descendant who made accessible, everyman rap from a not-so-everyman. The music world met Drake.

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