Young Thug: “Slime Language” (Review)

There’s a line on Slime Language that sums up Young Thug’s appeal better than any music nerd essay ever could. On the heavenly “Oh Yeah”, the track floats like a cloud while Thugga buries deep in his verse, his voice rising slightly higher with each bar. And then he squeals, somehow both elegantly and desperately, “send me nudes when I’m on the rooooad”. It’s absurd, douchy, slightly embarrassing and weirdly, weirdly romantic. If you hated him before, you’ll still hate him. But if you love the rapper who once said he would change his name to ‘SEX’, you get a bunch of these gloriously oddball moments.

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Nicki Minaj: “Queen” (Review)

— 16 Aug 2018 —

Written by Mia Rodriguez

Despite feeling like she is fucking everywhere, it’s been four years since we’ve received an actual album from Nicki Minaj. It’s crazy to write this… but in that time she’s sat and watched former reality star/stripper Cardi B become the biggest female rapper in the world. In response, she brings all the artillery on Queen. It’s a monster of an album, showcasing Minaj’s well-known versatility as a rapper and singer. And that’s largely a good thing, because most of what she tries on this project comes naturally to her. But will it take the throne back from fellow New Yorkian Cardi B? Probably not.

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Drake: “Scorpion” (Review)

Eight years ago, a Jewish-Canadian former child-star released Thank Me Later; a polished, glittering debut rap album with enviable production credits and features from the likes of Kanye West, Lil Wayne and Jay-Z. The album dominated the annual charts and announced the arrival of rap’s newest star – an 808s and Heartbreaks descendant who made accessible, everyman rap from a not-so-everyman. The music world met Drake.

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