Earl Sweatshirt drowns in his younger self on “2010”

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Vince Staples: “Vince Staples”

Vince Staples burst onto the scene with Summertime ’06. Ever since, he’s been a critical and fan darling, helped in no small amount to a personality not far-removed from a Black Jerry Seinfeld. He suffers from sky-high expectations on his eponymous album, Vince Staples. It felt like we were ready for something big. It had been a while. But this album simmers along, technically superb but never attention-grabbing. It’s a great piece of work. It can’t help but feel like he’s holding back, though.

BROCKHAMPTON: “iridescence” (Review)

How do you become a phenomenon? Right now in music, no one knows quite how to do it like Brockhampton. Like Odd Future before them, they’ve become a full-blown THING – more an idea or a vibe than a mere ‘group’ at this point. Their latest album, iridescence, has got all that same manic energy that made them so eye-catching in the first place. This isn’t a concept album or deep dive into the Brockhampton members’ personalities. This is just combustible energy releasing from a bunch of creative, confused twenty-somethings.

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Mac Miller Had Just Figured Out Music – And Life – When He Left

[Editor Note: We wrote a review for Mac Miller’s Swimming a month ago. Click here to read our review. We really liked it.]

Back in 2011, a white, very-Eminem-looking rapper released Blue Slide Park. That album sold a preposterous number of copies considering it was an independently distributed LP. In the SoundCloud/Spotify age, it’s the sort of thing that could be done easily. Back then, it signalled a phenom. And so, Mac Miller became a thing.

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