Jordan Peele’s weirdest and least accessible film yet, Nope is still utterly enthralling till its satisfying end.
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The Card Counter
Paul Schrader, legendary writer/director, mines a topic he knows well in The Card Counter – that of the brooding, disaffected male loner. His muse this time – Oscar Isaac. Their minds meld in this slow-cooked thriller. But true to Schrader’s form, it cooks very slowly. It needs a kick of something.
Continue reading “The Card Counter”Dark Waters (Review)
Dark Waters, a movie based on the true story of a lawyer who successfully sued an American icon, follows admirably in the footsteps of countless other ‘legal conspiracy’ films – those films where a lone, seemingly misunderstood man sees and knows something others don’t and develops a maniacal need to get to the bottom of it. This film hits most of those satisfying beats and has its own brooding atmosphere to boot, and while it isn’t perhaps a classic in this genre, it is a mostly enthralling tale of persistence in the face of corporate greed.
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